Page 9 - Robeson Living Spring 2022
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that important for me. It was something I just did. I always
      found it kind of strange. There were roles you wanted to do
      and a lot of roles you were glad you didn’t do.


      When asked how he got into acting he replied it was totally
      by accident. I was walkin’ down the street. The interviewer
      interrupted asking if it was a car accident?

      McEachin began laughing saying It wasn’t an accident. I
      didn’t even have a car. No, I was walkin’ down the street and
      a guy approached me. I was going up to see a friend of mine
      by the name of Geordie Hormel, son of Hormel meats. He had
      an office on Melrose Boulevard. I was going up to see him,
      and this guy comes down the same side of the street and takes
      a look at me and he asks, “Ain’t you an actor?” I said, “No.”
      The guy said, “You want to be one?” I said, “No, no, out of my
      league.” He said, “I wrote this script, this role, this guy looks
      just like you. I’m going up to see the producer now we’re go-
      ing to start shooting in a matter of a few weeks.” I said, “No,
      that’s not for me.”


      He says, “Why don’t we have a lunch, and we can talk about                      James McEachin
      it?” Well, the guy was a little pushy and I said, “I’ll take the
      lunch,” but if the guy tries something funny, I’m gonna pop   sitting around the stove in their usual haunt, he finds the men he
      him in the mouth—but I’m gonna eat first.                 seeks. The young man enters the ill-kept emporium and finds
                                                                the four old-timers gossiping and whittling. The very presence
      He was so hyped up over this movie. So I took the script, and   of a negro shocks them, but they don’t recognize Moses as a
      I put it in the trunk of the car and I forgot about it. A couple   former slave from a nearby plantation. Still bitter and angry
      of weeks later I get a call asking, “You gonna do the movie?”   over the Emancipation  of the area’s slaves, these four very
      My wife was in the kitchen, and I said, “Hey, Hon, there’s   unreconstructed whites are in no mood to listen to anything a
      some guy wantin’ me to be involved in a movie. Do you think   colored person has to say, let alone one whose motives they
      I should do it?” She said, “Well, you might as well. You’ve   automatically, instinctively suspect.
      bombed out on everything else you’ve ever done.” (laughs)
      I said, “OK.” We went down to Bakersville, and we shot the   With the help of some fine cognac Moses has brought along for
      picture. It’s about some guy masquerading as a Klansman.  the occasion, he lightens the spirits of these mean old codgers
                                                                with drink and the remarkable story he spins out over the next
      McEachin is perhaps best known for his roles on Perry Mason,   several hours, Moses tells them a tale of a young male slave, the
      Matlock, Play Misty For Me, and his NBC series Tenafly. He   boy’s white father who keeps a painful distance from the son he
      appears in other films such as Every Which Way But Loose,   refuses to acknowledge, the youth’s wise “uncle”-a proud and
      Sudden Impact, The Brotherhood of the Bell, The Cable Car   complex former slave named Ben-and the fire that destroyed his
      Murder,  and The  D.A.:  Conspiracy  to  Kill  to  name  a  few.   former master’s plantation. It is a story rich in love and hope,
      He was in numerous television appearances in Murder She   but ultimately poisoned by the ruinous deeds of hateful men.
      Wrote, I’ll Fly Away, and Diagnosis Murder.
                                                                In 2005 McEachin was appointed as a US Army Reserve Am-
      McEachin has authored six novels and multiple screenplays.   bassador and spends his free time speaking to soldiers, veter-
      In his book Tell me a tale: a novel of the old south he brings   ans, and America. In late 2006 he produced the film-short Old
      the pain of slavery to life. After Emancipation, a young ex-  Glory, a film short for the soldier, veteran, and patriot in us all.
      slave journeys back to the community of his childhood and   In 2008 McEachin opened his one-man play, Above the Call;
      confronts four men with a story about the good old days of   Beyond the Duty at the John F. Kennedy Center, Washington,
      slavery. And when he finishes, none of their lives will ever   DC and his since played Casa Manana, Ft. Worth, TX, Brent-
      be the same. During the decade following the Civil War, the   wood Theater, Los Angeles, CA,  and Merle Reskin Theatre,
      village of Red Springs, NC had not changed very much. It   Chicago, IL.
      is steeped in the socially rigid behavior of the old South, the
      white South. A young black man named Moses has traveled   Alabama’s Mobile Area Veteran’s Day Commission selected
      many long miles to reach McMillan’s General Store. Here,   McEachin as their 2013 Patriot of the Year for his continued

      Robeson Living ~ Spring 2022                                                                               Page 9
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